My article focuses on a particular cycle of the adventure films produced in Italy between 1957 and 1965 that has come to be known as the peplum. These Italian peplum films centred on heroes drawn from classical antiquity played by American bodybuilders, in particular Steve Reeves, who won the titles of Mr America and Mr Universe in the late 1940s. The purpose of the article is to investigate the use of Steve Reeves’ star persona in the peplum genre, focusing on the significance of his white muscularity as a cultural intertext between America and Italy during the Hollywood on the Tiber era.

The hybrid star: Steve Reeves, Hercules and the politics of transnational whiteness / D'Amelio, Maria Elena. - In: JOURNAL OF ITALIAN CINEMA & MEDIA STUDIES. - ISSN 2047-7368. - 2:2(2014), pp. 259-277. [10.1386/jicms.2.2.259_1]

The hybrid star: Steve Reeves, Hercules and the politics of transnational whiteness

MARIA ELENA D’AMELIO
2014-01-01

Abstract

My article focuses on a particular cycle of the adventure films produced in Italy between 1957 and 1965 that has come to be known as the peplum. These Italian peplum films centred on heroes drawn from classical antiquity played by American bodybuilders, in particular Steve Reeves, who won the titles of Mr America and Mr Universe in the late 1940s. The purpose of the article is to investigate the use of Steve Reeves’ star persona in the peplum genre, focusing on the significance of his white muscularity as a cultural intertext between America and Italy during the Hollywood on the Tiber era.
2014
masculinity; whiteness; hercules
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14089/597
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